{"id":15595,"date":"2025-06-05T08:34:16","date_gmt":"2025-06-05T06:34:16","guid":{"rendered":"https:\/\/telemme.mmsh.fr\/?p=15595"},"modified":"2025-06-05T08:34:57","modified_gmt":"2025-06-05T06:34:57","slug":"telemme-a-la-conference-des-nations-unies-sur-locean-unoc3","status":"publish","type":"post","link":"https:\/\/telemme.mmsh.fr\/?p=15595","title":{"rendered":"TELEMMe \u00e0 la Conf\u00e9rence des Nations-unies sur l\u2019oc\u00e9an (UNOC3)"},"content":{"rendered":"\n<p><strong>Louise Merquiol<\/strong>, post-doctorante, repr\u00e9sente TELEMMe et le programme <a href=\"https:\/\/telemme.mmsh.fr\/?projets=biodivaquart\">BiodivAquArt<\/a> \u00e0 la 3<sup>e<\/sup> Conf\u00e9rence des Nations-unies sur l\u2019oc\u00e9an qui se tient \u00e0 Nice en ce mois de juin 2025 (<a href=\"https:\/\/unocnice2025.org\/\">UNOC3<\/a>). Dans le cadre du <a href=\"https:\/\/one-ocean-science-2025.org\/\">One Ocean Science Congress<\/a>, qui r\u00e9unit 2000 scientifiques sp\u00e9cialistes des oc\u00e9ans du 3 au 6 juin, en amont de la Conf\u00e9rence afin d\u2019informer les d\u00e9cisions qui y seront prises, Louise Merquiol communiquera sur \u00ab\u00a0<a href=\"https:\/\/meetingorganizer.copernicus.org\/OOS2025\/OOS2025-61.html\">Aquatic Life in Art: From Historical Perspectives to Modern Conservation\u00a0<\/a>\u00bb vendredi 6 juin \u00e0 11h. Cette communication pr\u00e9sentera les r\u00e9sultats du projet BiodivAquArt, port\u00e9 par TELEMMe et le MIO, qui \u00e9tudie les \u00e9volutions de la biodiversit\u00e9 marine \u00e0 travers l\u2019art, dans une perspective d\u2019histoire environnementale.<\/p>\n\n\n\n<p>Cette pr\u00e9sentation a par ailleurs \u00e9t\u00e9 s\u00e9lectionn\u00e9e pour \u00eatre mise en lumi\u00e8re par le programme ECOP Insiders port\u00e9 par le R\u00e9seau fran\u00e7ais des universit\u00e9s marines (RUM), Sorbonne Universit\u00e9, l\u2019Universit\u00e9 de Bretagne occidentale et le comit\u00e9 d\u2019organisation du congr\u00e8s. \u00c0 cette occasion, Louise Merquiol a \u00e9t\u00e9 interview\u00e9e par No\u00e9mie Coulon (UMR MARBEC, Universit\u00e9 de Montpellier) et Alexandre Simoes (\u00e9tudiant en alternance chez BFMTV.com). Cette interview fait l\u2019objet d\u2019une <a href=\"https:\/\/www.instagram.com\/reel\/DKe07Rto5Am\/?igsh=MTY5NzRncnp4eTlzMg\">vid\u00e9o \u00e0 retrouver sur les r\u00e9seaux sociaux<\/a> (Instagram).<\/p>\n\n\n\n<blockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https:\/\/www.instagram.com\/reel\/DKe07Rto5Am\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"><div style=\"padding:16px;\"> <a href=\"https:\/\/www.instagram.com\/reel\/DKe07Rto5Am\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\"> <div style=\" display: flex; flex-direction: row; align-items: center;\"> <div style=\"background-color: #F4F4F4; 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font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\">Voir cette publication sur Instagram<\/div><\/div><div style=\"padding: 12.5% 0;\"><\/div> <div style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"><div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"><\/div> <div style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"><\/div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"><\/div><\/div><div style=\"margin-left: 8px;\"> <div style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"><\/div> <div style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"><\/div><\/div><div style=\"margin-left: auto;\"> <div style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"><\/div> <div style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"><\/div> <div style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"><\/div><\/div><\/div> <div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"><\/div> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"><\/div><\/div><\/a><p style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"><a href=\"https:\/\/www.instagram.com\/reel\/DKe07Rto5Am\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\">Une publication partag\u00e9e par Alexandre Simoes (@alexandre_simoes94)<\/a><\/p><\/div><\/blockquote>\n<script async src=\"\/\/www.instagram.com\/embed.js\"><\/script>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Abstract <\/strong><\/h3>\n\n\n\n<p><strong><em>Aquatic Life in Art: From Historical Perspectives to Modern Conservation<\/em><\/strong><\/p>\n\n\n\n<p>Thomas Changeux<sup>1<\/sup>, Anne-Sophie Tribot<sup>2<\/sup>, <strong>Louise Merquiol<\/strong><sup>2<\/sup>, and Daniel Faget<sup>2<\/sup><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><sup>1<\/sup>Aix Marseille Univ, Universit\u00e9 de Toulon, CNRS, IRD, MIO, Marseille, France<\/li>\n\n\n\n<li><sup>2<\/sup>Aix Marseille Univ, CNRS, TELEMME, Aix-en-Provence, France<\/li>\n<\/ul>\n\n\n\n<p>Our communication examines the depiction of aquatic life in art and its significance for understanding human interactions with marine ecosystems over time. Historically, artistic representations have portrayed the ocean as an inexhaustible resource, reflecting societal attitudes towards the environment.<\/p>\n\n\n\n<p>The human connection with aquatic environments is ancient, as evidenced by Neanderthal remains and early depictions of marine species. Greek and Roman arts, with rich mythologies and detailed representations, demonstrate early engagement with marine life. Later, the Renaissance and 17th-century still-life paintings in the Netherlands, Spain, and Italy saw a flourishing of detailed depictions of marine creatures. This shift in artistic focus continued into contemporary art, where representations are less about realism and more about exploring human perceptions and imaginations of the ocean. Such artworks provide insights into how modern societies grapple with environmental degradation and their desire to reconnect with nature.<\/p>\n\n\n\n<p>Our works highlights the growing relevance of environmental history in biodiversity conservation. By examining artworks from different historical periods, we collected valuable data about past ecosystems. For example, depictions of freshwater fish in 17th-century paintings align with observed declines in specific species like sturgeon and salmon. This correlation between artists&rsquo; regional backgrounds and the species they depicted underscores the reliability of art as a historical record.<\/p>\n\n\n\n<p>We also argue that the sensory and emotional impact of art can evoke strong responses in viewers, connecting them to memories and experiences of nature. This dimension is crucial in fostering respectful relationships with the natural world, yet it is often overlooked in conservation discourse. Initiatives like the collaborative book <em>Merveilles aquatiques, l\u2019art de repr\u00e9senter le vivant<\/em> aim to bridge art and science, promoting new connections between society and the marine environment.<\/p>\n\n\n\n<p>Ultimately, our communication asserts that art plays a crucial role in raising environmental awareness and shaping human perceptions of marine life. It calls for interdisciplinary collaboration between scientists, artists, and researchers to explore the intersection of aesthetics, history, and ecology in fostering sustainable relationships with the ocean.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Informations pratiques <\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Date&nbsp;: vendredi 6 juin \u00e0 11h<\/li>\n\n\n\n<li>Lieu&nbsp;: <a href=\"https:\/\/one-ocean-science-2025.org\/oos2025-detailed-map.png\">Room 3<\/a>, Quai Amiral Infernet, Port Lympia, Nice<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Louise Merquiol, post-doctorante, repr\u00e9sente TELEMMe et le programme BiodivAquArt \u00e0 la 3e Conf\u00e9rence des Nations-unies sur l\u2019oc\u00e9an qui se tient \u00e0 Nice en ce mois de juin 2025 (UNOC3). Dans&hellip;&nbsp;<a href=\"https:\/\/telemme.mmsh.fr\/?p=15595\" rel=\"bookmark\">Lire la suite &raquo;<span class=\"screen-reader-text\">TELEMMe \u00e0 la Conf\u00e9rence des Nations-unies sur l\u2019oc\u00e9an (UNOC3)<\/span><\/a><\/p>\n","protected":false},"author":6,"featured_media":11949,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"off","neve_meta_content_width":70,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_tribe_events_control_status":"","_tribe_events_control_status_canceled_reason":"","_tribe_events_control_status_postponed_reason":"","_tribe_events_control_online":"","_tribe_events_control_online_url":"","footnotes":""},"categories":[2007],"tags":[2038,2036,2485,2962],"class_list":["post-15595","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-informations","tag-biodivaquart","tag-biodiversite","tag-histoire-environnementale","tag-ocean"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>TELEMMe \u00e0 la Conf\u00e9rence des Nations-unies sur l\u2019oc\u00e9an (UNOC3) - TELEMMe - Temps, espaces, langages, Europe m\u00e9ridionale, M\u00e9diterran\u00e9e<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/telemme.mmsh.fr\/?p=15595\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"TELEMMe \u00e0 la Conf\u00e9rence des Nations-unies sur l\u2019oc\u00e9an (UNOC3) - TELEMMe - Temps, espaces, langages, Europe m\u00e9ridionale, M\u00e9diterran\u00e9e\" \/>\n<meta property=\"og:description\" content=\"Louise Merquiol, post-doctorante, repr\u00e9sente TELEMMe et le programme BiodivAquArt \u00e0 la 3e Conf\u00e9rence des Nations-unies sur l\u2019oc\u00e9an qui se tient \u00e0 Nice en ce mois de juin 2025 (UNOC3). 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