{"id":14009,"date":"2024-02-26T17:39:44","date_gmt":"2024-02-26T16:39:44","guid":{"rendered":"https:\/\/telemme.mmsh.fr\/?p=14009"},"modified":"2024-02-26T17:39:46","modified_gmt":"2024-02-26T16:39:46","slug":"aac-la-provence-au-carrefour-des-trajectoires-artistiques-au-xviie-siecle-production-marches-circulations","status":"publish","type":"post","link":"https:\/\/telemme.mmsh.fr\/?p=14009","title":{"rendered":"[AAC] La Provence au carrefour des trajectoires artistiques au XVIIe si\u00e8cle. Production, march\u00e9s, circulations"},"content":{"rendered":"\n<p><em>English below<\/em><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Colloque international<\/h2>\n\n\n\n<p><strong>Aix-en-Provence, 26-28 septembre 2024<\/strong><\/p>\n\n\n\n<p>Mus\u00e9e Granet et Chapelle de la Visitation<\/p>\n\n\n\n<p><strong>Date limite des propositions : 15 mars 2024<\/strong><\/p>\n\n\n\n<p>Le colloque aura lieu du 26 au 28 septembre 2024 \u00e0 Aix-en-Provence. Il s\u2019inscrit dans le prolongement de l\u2019exposition, <em>Jean Daret (1614-1668), peintre du roi en Provence<\/em>, organis\u00e9e par le mus\u00e9e Granet du 15 juin au 29 septembre 2024. Le colloque, international et pluridisciplinaire, entend questionner la circulation des artistes et des \u0153uvres dans la Provence du XVII<sup>e<\/sup> si\u00e8cle. L\u2019\u00e9tude des circulations et des mobilit\u00e9s, n\u00e9cessaire \u00e0 la compr\u00e9hension de l\u2019\u00e9volution des formes et de la diffusion des mod\u00e8les (Roland Recht, Pierre-Yves Beaurepaire et Pierrick Pourchasse), s\u2019est impos\u00e9e comme un champ de recherche fondamental chez les historiens et les historiens de l\u2019art depuis une quarantaine d\u2019ann\u00e9es. L\u2019analyse des interactions interculturelles et des transferts qu\u2019elles induisent n\u2019a toutefois pas \u00e9t\u00e9 men\u00e9e dans une appr\u00e9hension large de la pratique artistique au XVII<sup>e<\/sup> si\u00e8cle en Provence.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Trajectoires des hommes<\/strong><\/h3>\n\n\n\n<p>Par sa position g\u00e9ographique, la Provence, comprise de Nice \u00e0 Montpellier jusqu\u2019au Comtat Venaissin, appara\u00eet comme un creuset privil\u00e9gi\u00e9 pour r\u00e9fl\u00e9chir \u00e0 la pluralit\u00e9 des circulations artistiques. Ouverte sur la M\u00e9diterran\u00e9e, forte d\u2019un actif commerce maritime, elle est aussi la derni\u00e8re \u00e9tape fran\u00e7aise sur le chemin de l\u2019Italie, \u00e0 une \u00e9poque o\u00f9 le voyage \u00e0 Rome s\u2019impose comme un socle indispensable \u00e0 la formation de tout artiste. D\u00e8s 1604, dans son introduction au <em>Schilder-boeck<\/em>, le peintre et th\u00e9oricien flamand, Karel Van Mander (1548-1606), conseillait aux jeunes peintres qui souhaitaient faire le voyage \u00e0 Rome de passer par la Provence pour trouver des commandes et des moyens financiers. Van Mander, en indiquant la Provence comme un temps fort de l\u2019axe nord-sud, pr\u00e9sentait implicitement cette \u00e9tape comme un lieu o\u00f9 la demande en \u0153uvres d\u2019art \u00e9tait importante et la r\u00e9glementation peu contraignante. Les recherches r\u00e9centes men\u00e9es sur les populations d\u2019artistes qui ont habit\u00e9 ce territoire, apr\u00e8s celles fondatrices de Charles Ginoux, Louis Honor\u00e9 et Jean Boyer, ont confirm\u00e9, m\u00eame si elles restent encore \u00e0 affiner, la diversit\u00e9 de leurs origines. Elles attestent en outre de certaines \u00e9volutions au fil du si\u00e8cle. Si les villes d\u2019Aix ou de Marseille connaissent bien une saison flamande dans le premier tiers du si\u00e8cle, ce sont surtout des Italiens et des Parisiens qui s\u2019y installent par la suite pour des dur\u00e9es plus ou moins longues. Le questionnement m\u00e9rite d\u2019\u00eatre \u00e9tendu \u00e0 l\u2019ensemble des villes de la Provence comme des m\u00e9tiers d\u2019art&nbsp;: \u00e9tudier non plus simplement les peintres, sculpteurs, graveurs ou architectes, mais plus largement les diff\u00e9rents m\u00e9tiers du faire artistique, orf\u00e8vres, \u00e9b\u00e9nistes, tapissiers, ornemanistes, serruriers et ferronniers\u2026 \u00d4 combien poreuses sont en effet au XVII<sup>e<\/sup> si\u00e8cle les relations entre ces diff\u00e9rentes professions&nbsp;: en attestent les contrats d\u2019apprentissages ou les r\u00e9seaux de sociabilit\u00e9 que traduisent les mariages et les parrainages. C\u2019est, par exemple, gr\u00e2ce au soutien des orf\u00e8vres parisiens qu\u2019un peintre comme Michel Ballin put par exemple s\u2019installer un temps \u00e0 Marseille \u00e0 son retour de Rome.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">C<strong>irculations des biens<\/strong><\/h3>\n\n\n\n<p>Le colloque entend s\u2019int\u00e9resser aussi \u00e0 la circulation des \u0153uvres et des mat\u00e9riaux. La position de la Provence dans cette \u00ab&nbsp;France des marges&nbsp;\u00bb, pour reprendre l\u2019expression de Fernand Braudel, parce qu\u2019aux confins de la France et de l\u2019Italie et&nbsp; ouverte sur la M\u00e9diterran\u00e9e, en fait un espace privil\u00e9gi\u00e9 pour l\u2019\u00e9tude des importations et des exportations de marchandises. Si plusieurs travaux ont d\u00e9j\u00e0 \u00e9t\u00e9 conduits sur certains types sp\u00e9cifiques de mat\u00e9riaux comme le marbre, le corail, les Indiennes, sur les techniques (Genevi\u00e8ve Bresc-Bautier, Gilbert Buti, Olivier Raveux) ou encore sur les sculptures g\u00e9noises achev\u00e9es, plus rares sont ceux consacr\u00e9s \u00e0 d\u2019autres mat\u00e9riaux (pigments, toiles \u00e0 peindre, mati\u00e8res pr\u00e9cieuses, commerce des tentures et des textiles). Les m\u00e9canismes et les modalit\u00e9s d\u2019achat des \u0153uvres depuis la Provence, si ce n\u2019est pour la sculpture, ou de leur vente \u00e0 l\u2019\u00e9tranger, reste ainsi un angle mort de la recherche.&nbsp; La circulation de gravures et l&rsquo;\u00e9volution des mod\u00e8les de r\u00e9f\u00e9rences, sensible \u00e0 travers les reprises et les copies, restent \u00e9galement des champs \u00e0 \u00e9valuer.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Un territoire ou des territoires ?<\/strong><\/h3>\n\n\n\n<p>Envisager la Provence comme un carrefour, \u00e0 la fois g\u00e9ographique et social, o\u00f9 se nouent, se croisent et se rencontrent des trajectoires artistiques diverses, implique \u00e9galement d\u2019interroger la sp\u00e9cificit\u00e9 des diff\u00e9rents p\u00f4les qui la constituent. Il s\u2019agira de d\u00e9gager les principaux centres qui contribu\u00e8rent \u00e0 son attractivit\u00e9 et les interactions que ceux-ci purent avoir avec les villes p\u00e9riph\u00e9riques. Existe-t-il \u00ab&nbsp;une&nbsp;\u00bb Provence, ou bien plusieurs p\u00f4les urbains t\u00e9moignant de consommations et d\u2019horizons d\u2019attente diff\u00e9rents&nbsp;?<\/p>\n\n\n\n<p>La reconnaissance de sa fonction de carrefour contribue-t-elle \u00e0 d\u00e9finir la Provence comme un centre important de la production artistique en Europe&nbsp;? Joua-t-elle un r\u00f4le dans la diffusion de nouveaux mod\u00e8les de formes, de motifs ou de styles en France comme \u00e0 l\u2019\u00e9tranger&nbsp;? Sa situation g\u00e9ographique contribua-t-elle \u00e0 produire dans les arts une sp\u00e9cificit\u00e9 apte \u00e0 d\u00e9finir une identit\u00e9, celle-l\u00e0 m\u00eame qu\u2019au XIXe si\u00e8cle Chennevi\u00e8res, parmi d\u2019autres, appelait l\u2019\u00ab&nbsp;\u00e9cole du midi&nbsp;\u00bb&nbsp;? Ce sont autant de pistes de recherche que ce colloque entend ouvrir.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Les communications pourront porter sur les axes suivants&nbsp;:<\/strong><\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Circulations des artistes et des \u0153uvres,<\/li>\n\n\n\n<li>Conditions de production, r\u00e9glementation corporative et march\u00e9 de l\u2019art (collectionneurs, marchands, commandes, statuts des artistes),<\/li>\n\n\n\n<li>Diffusion et transfert des mod\u00e8les, des mat\u00e9riaux et des techniques,<\/li>\n\n\n\n<li>\u00c9tudes de cas (artistes, \u0153uvres ou lieux),<\/li>\n\n\n\n<li>Attractivit\u00e9 et compl\u00e9mentarit\u00e9 des diff\u00e9rentes villes ou espaces qui composent la Provence.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\"><u>Modalit\u00e9s de candidature<\/u><\/h2>\n\n\n\n<p>Les propositions de communication, d&rsquo;une longueur comprise entre 500 et 1 000 mots, accompagn\u00e9es d\u2019une bibliographie et d\u2019une courte biographie, sont attendues pour le <strong>vendredi 15 mars 2024<\/strong> au plus tard.<\/p>\n\n\n\n<p>Une r\u00e9ponse aux candidats sera donn\u00e9e au plus tard le 29 mars 2024.Les communications propos\u00e9es dureront 30 minutes.Les propositions devront \u00eatre envoy\u00e9es \u00e0 l\u2019adresse mail de l&rsquo;\u00e9v\u00e9nement : bastetd@mairie-aixenprovence.fr<\/p>\n\n\n\n<p>Pour toute question ou \u00e9l\u00e9ment compl\u00e9mentaire, vous pouvez contacter : Magali Th\u00e9ron ( <a href=\"mailto:magali.theron@univ-amu.fr\">magali.theron@univ-amu.fr<\/a>) ou Delphine Bastet (b<a href=\"mailto:BastetD@mairie-aixenprovence.fr\">astetd@mairie-aixenprovence.fr<\/a>)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><u>Comit\u00e9 d\u2019organisation&nbsp;:<\/u><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Delphine Bastet (Ville d\u2019Aix-en-Provence, direction du Patrimoine)<\/li>\n\n\n\n<li>Pam\u00e9la Grimaud et Jane MacAvock (Mus\u00e9e Granet, Aix-en-Provence)<\/li>\n\n\n\n<li>Fabienne Sartre (Universit\u00e9 Paul-Val\u00e9ry Montpellier 3, IRCL)<\/li>\n\n\n\n<li>Micka\u00ebl Szanto (Sorbonne Universit\u00e9, Centre Andr\u00e9 Chastel)<\/li>\n\n\n\n<li>Magali Th\u00e9ron (Aix-Marseille Universit\u00e9, Telemme)<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<p>Illustrations&nbsp;: Meiffren Comte (1630-1705), <em>Aigui\u00e8res, fleurs, coquillages et perroquet sur fond de paysage<\/em> (d\u00e9tail), huile sur toile, 100 x 130 cm, Aix-en-Provence, mus\u00e9e Granet \u00a9 Claude Almodovar\/Mus\u00e9e Granet &#8211; <em>Jean Daret<\/em>,&nbsp;<em>Vue d&rsquo;Aix<\/em><em>-en-Provence assi\u00e9g\u00e9e par le Comte d&rsquo;Alais<\/em> (d\u00e9tail), huile sur toile, 0,35 x 0,48 cm, Aix-en-Provence, Mus\u00e9e du Vieil Aix \u00a9 Ville d\u2019Aix \u2013 Jean Daret, <em>Le Christ en croix entre la Vierge saint Pierre et saint Antoine<\/em>, 1640, huile sur toile, 305 x 240 cm, Aix-en-Provence, Cath\u00e9drale Saint-Sauveur \u00a9 Jane MacAvock<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Call for Papers: Provence at the Crossroads of Artistic Trajectories during the 17th century. <\/strong><strong>Production, Markets, Circulation<\/strong><\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">International Conference<\/h3>\n\n\n\n<p>Aix-en-Provence, 26-28 September 2024<\/p>\n\n\n\n<p>Mus\u00e9e Granet and Chapelle de la Visitation<\/p>\n\n\n\n<p><strong>Deadline for Proposals: 15 March 2024<\/strong><\/p>\n\n\n\n<p>The conference, which will take place from 26 to 28 September 2024 in Aix-en-Provence, is being held as an extension to the exhibition about the Brussels painter, Jean Daret (1614-1668), <em>Jean Daret, peintre du roi en Provence<\/em>, scheduled at the Mus\u00e9e Granet from 15 June to 29 September 2024. The conference, which will be international and multidisciplinary, intends to examine the circulation of artists and works in Provence during the 17th century.&nbsp; The study of distributions and movements, essential for an understanding of the development of forms and the transmission of models (Roland Recht, Pierre-Yves Beaurepaire and Pierrick Pourchasse), has in the past four decades become a vital field of research for historians and art historians. Intercultural interactions and the transfers they induce have not however been analysed within the context of artistic practices in 17<sup>th<\/sup> century Provence.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Trajectories of People<\/strong><\/h3>\n\n\n\n<p>Through its geographic location, Provence, taken here to be the region between Nice, Montpellier and the Comtat Venaissin, is an ideal location to reflect on the plurality of artistic movements. Open to the Mediterranean and boasting active maritime trade, it was also the last stop in France on the way to Italy, at a time when a visit to Rome was an essential part of any artist&rsquo;s training. In his introduction to the <em>Schilder-boeck<\/em> of 1604, the Flemish painter and theoretician Karel Van Mander (1548-1606) advised young painters wishing to travel to Rome to go via Provence to find commissions and financial resources. By indicating Provence as a key point on the north-south axis, Van Mander was implicitly presenting this stop as a place where demand for works of art was high and regulations were not too restrictive. Recent studies on the populations of artists who lived in the region, following on from the seminal work of Charles Ginoux, Louis Honor\u00e9 and Jean Boyer, have confirmed the diversity of origins, although more research is needed. They also reveal a number of developments over the course of the century. While the cities of Aix and Marseille enjoyed a Flemish season in the first third of the century, later in the period, more Italians and Parisians settled there for varying lengths of time. The subject deserves to be studied for all the towns in Provence and the different forms of arts: not only painters, sculptors, printmakers and architects, but more broadly the various trades involved in making art, such as goldsmiths, cabinet-makers, tapestry makers, ornament designers, locksmiths, and ironmongers amongst others. In the 17<sup>th<\/sup> century, the relationships between these different professions were extremely porous, as evidenced by apprenticeship contracts and the networks of sociability reflected in marriages and choices of godparents. It was thanks to the support of Parisian goldsmiths, for example, that a painter like Michel Ballin was able to settle in Marseille for a time on his return from Rome.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>The Circulation of Goods<\/strong><\/h3>\n\n\n\n<p>The conference will also examine the circulation of objects and materials. Provence&rsquo;s position in the \u201cFrance of peripheries\u201d, to adapt Fernand Braudel&rsquo;s expression, because it borders France and Italy and is open to the Mediterranean, makes it an ideal location to analyse the transfers of goods. While a number of studies have already been published on specific types of material, such as marble, coral and <em>Indiennes<\/em>, on techniques (Genevi\u00e8ve Bresc-Bautier, Gilbert Buti, Olivier Raveux) and on Genoese sculptures, less research has been devoted to other materials (pigments, painting canvas, precious materials, the trade in tapestries and textiles). The mechanisms and methods of buying works from Provence, or selling them abroad, except in the case of sculpture, remain a blind spot in research.&nbsp; The circulation of prints and the evolution of reference models, as seen in reproductions and copies, are also areas to be examined.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Territory or Territories?<\/strong><\/h3>\n\n\n\n<p>Considering Provence as a crossroads, both geographical and social, where diverse artistic trajectories are woven together, intersect, and meet, also implies examining the specific nature of the different centres of which it comprises. The aim is to identify the main centres that contributed to its appeal, and the interactions that they may have had with outlying towns. Is there &lsquo;one&rsquo; Provence, or are there several urban centres that reflect different consumption patterns and expectations?<\/p>\n\n\n\n<p>Did recognition of its role as a crossroads help to define Provence as an important centre of artistic production in Europe? Did it play a role in the dissemination of new forms, motifs and styles in France and abroad? Did its geographical location help to produce a specificity in the arts capable of defining an identity, the very identity that Chennevi\u00e8res, among others, called the \u00ab\u00a0Ecole du Midi\u00a0\u00bb in the 19<sup>th<\/sup> century? These are just some of the avenues that this conference aims to explore.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Papers can be based around the following axes<\/strong>:<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Circulation of artists and works,<\/li>\n\n\n\n<li>Conditions of production, the regulation of corporations, and the art market (collectors, dealers, commissions, the status of artists),<\/li>\n\n\n\n<li>Circulation and transfer of models, materials and techniques,<\/li>\n\n\n\n<li>Specific cases (artists, works or places),<\/li>\n\n\n\n<li>Attractivity and complementarity of the various towns and spaces that comprise Provence.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\"><u>Proposals for papers:<\/u><\/h2>\n\n\n\n<p>Proposals for papers, between 500 and 1,000 words in length, accompanied by a bibliography and a short biography, are expected by<strong> 15 March 2024<\/strong> at the latest.<\/p>\n\n\n\n<p>An answer to candidates will be given no later than March 29, 2024.<\/p>\n\n\n\n<p>Proposed presentations will last 30 minutes.<\/p>\n\n\n\n<p>Proposals should be sent to the e-mail address of the event : bastetd@mairie-aixenprovence.fr<\/p>\n\n\n\n<p>For any questions or additional information, please contact: Magali Th\u00e9ron ( <a href=\"mailto:magali.theron@univ-amu.fr\">magali.theron@univ-amu.fr<\/a>) ou Delphine Bastet (b<a href=\"mailto:BastetD@mairie-aixenprovence.fr\">astetd@mairie-aixenprovence.fr<\/a>).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><u>Organising Committee:<\/u><\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Delphine Bastet (Ville d\u2019Aix-en-Provence, Direction du Patrimoine)<\/li>\n\n\n\n<li>Pam\u00e9la Grimaud and Jane MacAvock (Mus\u00e9e Granet, Aix-en-Provence)<\/li>\n\n\n\n<li>Fabienne Sartre (Universit\u00e9 Paul-Val\u00e9ry Montpellier 3, IRCL)<\/li>\n\n\n\n<li>Micka\u00ebl Szanto (Sorbonne-Universit\u00e9, Centre Andr\u00e9 Chastel)<\/li>\n\n\n\n<li>Magali Th\u00e9ron (Aix-Marseille Universit\u00e9, Telemme)<\/li>\n<\/ul>\n\n\n\n<p>Illustrations: Meiffren Comte (1630-1705), <em>Ewers, Flowers, Shells and a Parrot against a Landscape&nbsp; <\/em>(detail), oil on canvas, 100 x 130 cm, Aix-en-Provence, Mus\u00e9e Granet, \u00a9 Claude Almodovar\/Mus\u00e9e Granet &#8211; <em>Jean Daret<\/em>,&nbsp;<em>View of Aix-en-Provence Under Siege by the Comte d&rsquo;Alais<\/em> (detail), oil on canvas, 0,35 x 0,48 cm, Aix-en-Provence, Mus\u00e9e du Vieil Aix \u00a9 Ville d\u2019Aix \u2013 Jean Daret, <em>Christ Crucified with the Virgin, St. Peter and St. Antony<\/em>, 1640, oil on canvas, 305 x 240 cm, Aix-en-Provence, Cath\u00e9drale Saint-Sauveur \u00a9 Jane MacAvock<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le colloque aura lieu du 26 au 28 septembre 2024 \u00e0 Aix-en-Provence. Il s\u2019inscrit dans le prolongement de l\u2019exposition, Jean Daret (1614-1668), peintre du roi en Provence, organis\u00e9e par le mus\u00e9e Granet du 15 juin au 29 septembre 2024. Le colloque, international et pluridisciplinaire, entend questionner la circulation des artistes et des \u0153uvres dans la Provence du XVIIe si\u00e8cle.<\/p>\n","protected":false},"author":6,"featured_media":14011,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"off","neve_meta_content_width":70,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_tribe_events_control_status":"","_tribe_events_control_status_canceled_reason":"","_tribe_events_control_status_postponed_reason":"","_tribe_events_control_online":"","_tribe_events_control_online_url":"","footnotes":""},"categories":[2026],"tags":[2037,2311],"class_list":["post-14009","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-appels-a-candidature","tag-histoire-de-lart","tag-provence"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>[AAC] La Provence au carrefour des trajectoires artistiques au XVIIe si\u00e8cle. Production, march\u00e9s, circulations - TELEMMe - Temps, espaces, langages, Europe m\u00e9ridionale, M\u00e9diterran\u00e9e<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/telemme.mmsh.fr\/?p=14009\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[AAC] La Provence au carrefour des trajectoires artistiques au XVIIe si\u00e8cle. Production, march\u00e9s, circulations - TELEMMe - Temps, espaces, langages, Europe m\u00e9ridionale, M\u00e9diterran\u00e9e\" \/>\n<meta property=\"og:description\" content=\"Le colloque aura lieu du 26 au 28 septembre 2024 \u00e0 Aix-en-Provence. Il s\u2019inscrit dans le prolongement de l\u2019exposition, Jean Daret (1614-1668), peintre du roi en Provence, organis\u00e9e par le mus\u00e9e Granet du 15 juin au 29 septembre 2024. Le colloque, international et pluridisciplinaire, entend questionner la circulation des artistes et des \u0153uvres dans la Provence du XVIIe si\u00e8cle.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/telemme.mmsh.fr\/?p=14009\" \/>\n<meta property=\"og:site_name\" content=\"TELEMMe - Temps, espaces, langages, Europe m\u00e9ridionale, M\u00e9diterran\u00e9e\" \/>\n<meta property=\"article:published_time\" content=\"2024-02-26T16:39:44+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-02-26T16:39:46+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/telemme.mmsh.fr\/wp-content\/uploads\/2024\/02\/illustration_ProvenceCarrefourArt.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1002\" \/>\n\t<meta property=\"og:image:height\" content=\"273\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Delphine Cavallo\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Delphine Cavallo\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"11 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/telemme.mmsh.fr\\\/?p=14009#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/telemme.mmsh.fr\\\/?p=14009\"},\"author\":{\"name\":\"Delphine Cavallo\",\"@id\":\"https:\\\/\\\/telemme.mmsh.fr\\\/#\\\/schema\\\/person\\\/86a185da4836381586528ced48e263f5\"},\"headline\":\"[AAC] La Provence au carrefour des trajectoires artistiques au XVIIe si\u00e8cle. Production, march\u00e9s, circulations\",\"datePublished\":\"2024-02-26T16:39:44+00:00\",\"dateModified\":\"2024-02-26T16:39:46+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/telemme.mmsh.fr\\\/?p=14009\"},\"wordCount\":2302,\"publisher\":{\"@id\":\"https:\\\/\\\/telemme.mmsh.fr\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/telemme.mmsh.fr\\\/?p=14009#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/telemme.mmsh.fr\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/illustration_ProvenceCarrefourArt.png\",\"keywords\":[\"histoire de l&#039;art\",\"Provence\"],\"articleSection\":[\"Appels \u00e0 candidature\"],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/telemme.mmsh.fr\\\/?p=14009\",\"url\":\"https:\\\/\\\/telemme.mmsh.fr\\\/?p=14009\",\"name\":\"[AAC] La Provence au carrefour des trajectoires artistiques au XVIIe si\u00e8cle. Production, march\u00e9s, circulations - TELEMMe - Temps, espaces, langages, Europe m\u00e9ridionale, M\u00e9diterran\u00e9e\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/telemme.mmsh.fr\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/telemme.mmsh.fr\\\/?p=14009#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/telemme.mmsh.fr\\\/?p=14009#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/telemme.mmsh.fr\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/illustration_ProvenceCarrefourArt.png\",\"datePublished\":\"2024-02-26T16:39:44+00:00\",\"dateModified\":\"2024-02-26T16:39:46+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/telemme.mmsh.fr\\\/?p=14009#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/telemme.mmsh.fr\\\/?p=14009\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/telemme.mmsh.fr\\\/?p=14009#primaryimage\",\"url\":\"https:\\\/\\\/telemme.mmsh.fr\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/illustration_ProvenceCarrefourArt.png\",\"contentUrl\":\"https:\\\/\\\/telemme.mmsh.fr\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/illustration_ProvenceCarrefourArt.png\",\"width\":1002,\"height\":273,\"caption\":\"Illustrations : Meiffren Comte (1630-1705), Aigui\u00e8res, fleurs, coquillages et perroquet sur fond de paysage (d\u00e9tail), huile sur toile, 100 x 130 cm, Aix-en-Provence, mus\u00e9e Granet \u00a9 Claude Almodovar\\\/Mus\u00e9e Granet - Jean Daret, Vue d'Aix-en-Provence assi\u00e9g\u00e9e par le Comte d'Alais (d\u00e9tail), huile sur toile, 0,35 x 0,48 cm, Aix-en-Provence, Mus\u00e9e du Vieil Aix \u00a9 Ville d\u2019Aix \u2013 Jean Daret, Le Christ en croix entre la Vierge saint Pierre et saint Antoine, 1640, huile sur toile, 305 x 240 cm, Aix-en-Provence, Cath\u00e9drale Saint-Sauveur \u00a9 Jane MacAvock\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/telemme.mmsh.fr\\\/?p=14009#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/telemme.mmsh.fr\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Actualit\u00e9s\",\"item\":\"https:\\\/\\\/telemme.mmsh.fr\\\/?cat=1995\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Appels \u00e0 candidature\",\"item\":\"https:\\\/\\\/telemme.mmsh.fr\\\/?cat=2026\"},{\"@type\":\"ListItem\",\"position\":4,\"name\":\"[AAC] La Provence au carrefour des trajectoires artistiques au XVIIe si\u00e8cle. Production, march\u00e9s, circulations\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/telemme.mmsh.fr\\\/#website\",\"url\":\"https:\\\/\\\/telemme.mmsh.fr\\\/\",\"name\":\"TELEMMe - Temps, espaces, langages, Europe m\u00e9ridionale, M\u00e9diterran\u00e9e\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/telemme.mmsh.fr\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/telemme.mmsh.fr\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/telemme.mmsh.fr\\\/#organization\",\"name\":\"TELEMMe\",\"url\":\"https:\\\/\\\/telemme.mmsh.fr\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/telemme.mmsh.fr\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/telemme.mmsh.fr\\\/wp-content\\\/uploads\\\/2020\\\/03\\\/LogoTELEMMe-horizontal-fond-transparent.png\",\"contentUrl\":\"https:\\\/\\\/telemme.mmsh.fr\\\/wp-content\\\/uploads\\\/2020\\\/03\\\/LogoTELEMMe-horizontal-fond-transparent.png\",\"width\":1500,\"height\":437,\"caption\":\"TELEMMe\"},\"image\":{\"@id\":\"https:\\\/\\\/telemme.mmsh.fr\\\/#\\\/schema\\\/logo\\\/image\\\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/telemme.mmsh.fr\\\/#\\\/schema\\\/person\\\/86a185da4836381586528ced48e263f5\",\"name\":\"Delphine Cavallo\",\"url\":\"https:\\\/\\\/telemme.mmsh.fr\\\/?author=6\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"[AAC] La Provence au carrefour des trajectoires artistiques au XVIIe si\u00e8cle. Production, march\u00e9s, circulations - TELEMMe - Temps, espaces, langages, Europe m\u00e9ridionale, M\u00e9diterran\u00e9e","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/telemme.mmsh.fr\/?p=14009","og_locale":"fr_FR","og_type":"article","og_title":"[AAC] La Provence au carrefour des trajectoires artistiques au XVIIe si\u00e8cle. Production, march\u00e9s, circulations - TELEMMe - Temps, espaces, langages, Europe m\u00e9ridionale, M\u00e9diterran\u00e9e","og_description":"Le colloque aura lieu du 26 au 28 septembre 2024 \u00e0 Aix-en-Provence. Il s\u2019inscrit dans le prolongement de l\u2019exposition, Jean Daret (1614-1668), peintre du roi en Provence, organis\u00e9e par le mus\u00e9e Granet du 15 juin au 29 septembre 2024. Le colloque, international et pluridisciplinaire, entend questionner la circulation des artistes et des \u0153uvres dans la Provence du XVIIe si\u00e8cle.","og_url":"https:\/\/telemme.mmsh.fr\/?p=14009","og_site_name":"TELEMMe - Temps, espaces, langages, Europe m\u00e9ridionale, M\u00e9diterran\u00e9e","article_published_time":"2024-02-26T16:39:44+00:00","article_modified_time":"2024-02-26T16:39:46+00:00","og_image":[{"width":1002,"height":273,"url":"https:\/\/telemme.mmsh.fr\/wp-content\/uploads\/2024\/02\/illustration_ProvenceCarrefourArt.png","type":"image\/png"}],"author":"Delphine Cavallo","twitter_card":"summary_large_image","twitter_misc":{"\u00c9crit par":"Delphine Cavallo","Dur\u00e9e de lecture estim\u00e9e":"11 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/telemme.mmsh.fr\/?p=14009#article","isPartOf":{"@id":"https:\/\/telemme.mmsh.fr\/?p=14009"},"author":{"name":"Delphine Cavallo","@id":"https:\/\/telemme.mmsh.fr\/#\/schema\/person\/86a185da4836381586528ced48e263f5"},"headline":"[AAC] La Provence au carrefour des trajectoires artistiques au XVIIe si\u00e8cle. Production, march\u00e9s, circulations","datePublished":"2024-02-26T16:39:44+00:00","dateModified":"2024-02-26T16:39:46+00:00","mainEntityOfPage":{"@id":"https:\/\/telemme.mmsh.fr\/?p=14009"},"wordCount":2302,"publisher":{"@id":"https:\/\/telemme.mmsh.fr\/#organization"},"image":{"@id":"https:\/\/telemme.mmsh.fr\/?p=14009#primaryimage"},"thumbnailUrl":"https:\/\/telemme.mmsh.fr\/wp-content\/uploads\/2024\/02\/illustration_ProvenceCarrefourArt.png","keywords":["histoire de l&#039;art","Provence"],"articleSection":["Appels \u00e0 candidature"],"inLanguage":"fr-FR"},{"@type":"WebPage","@id":"https:\/\/telemme.mmsh.fr\/?p=14009","url":"https:\/\/telemme.mmsh.fr\/?p=14009","name":"[AAC] La Provence au carrefour des trajectoires artistiques au XVIIe si\u00e8cle. Production, march\u00e9s, circulations - TELEMMe - Temps, espaces, langages, Europe m\u00e9ridionale, M\u00e9diterran\u00e9e","isPartOf":{"@id":"https:\/\/telemme.mmsh.fr\/#website"},"primaryImageOfPage":{"@id":"https:\/\/telemme.mmsh.fr\/?p=14009#primaryimage"},"image":{"@id":"https:\/\/telemme.mmsh.fr\/?p=14009#primaryimage"},"thumbnailUrl":"https:\/\/telemme.mmsh.fr\/wp-content\/uploads\/2024\/02\/illustration_ProvenceCarrefourArt.png","datePublished":"2024-02-26T16:39:44+00:00","dateModified":"2024-02-26T16:39:46+00:00","breadcrumb":{"@id":"https:\/\/telemme.mmsh.fr\/?p=14009#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/telemme.mmsh.fr\/?p=14009"]}]},{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/telemme.mmsh.fr\/?p=14009#primaryimage","url":"https:\/\/telemme.mmsh.fr\/wp-content\/uploads\/2024\/02\/illustration_ProvenceCarrefourArt.png","contentUrl":"https:\/\/telemme.mmsh.fr\/wp-content\/uploads\/2024\/02\/illustration_ProvenceCarrefourArt.png","width":1002,"height":273,"caption":"Illustrations : Meiffren Comte (1630-1705), Aigui\u00e8res, fleurs, coquillages et perroquet sur fond de paysage (d\u00e9tail), huile sur toile, 100 x 130 cm, Aix-en-Provence, mus\u00e9e Granet \u00a9 Claude Almodovar\/Mus\u00e9e Granet - Jean Daret, Vue d'Aix-en-Provence assi\u00e9g\u00e9e par le Comte d'Alais (d\u00e9tail), huile sur toile, 0,35 x 0,48 cm, Aix-en-Provence, Mus\u00e9e du Vieil Aix \u00a9 Ville d\u2019Aix \u2013 Jean Daret, Le Christ en croix entre la Vierge saint Pierre et saint Antoine, 1640, huile sur toile, 305 x 240 cm, Aix-en-Provence, Cath\u00e9drale Saint-Sauveur \u00a9 Jane MacAvock"},{"@type":"BreadcrumbList","@id":"https:\/\/telemme.mmsh.fr\/?p=14009#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/telemme.mmsh.fr\/"},{"@type":"ListItem","position":2,"name":"Actualit\u00e9s","item":"https:\/\/telemme.mmsh.fr\/?cat=1995"},{"@type":"ListItem","position":3,"name":"Appels \u00e0 candidature","item":"https:\/\/telemme.mmsh.fr\/?cat=2026"},{"@type":"ListItem","position":4,"name":"[AAC] La Provence au carrefour des trajectoires artistiques au XVIIe si\u00e8cle. Production, march\u00e9s, circulations"}]},{"@type":"WebSite","@id":"https:\/\/telemme.mmsh.fr\/#website","url":"https:\/\/telemme.mmsh.fr\/","name":"TELEMMe - Temps, espaces, langages, Europe m\u00e9ridionale, M\u00e9diterran\u00e9e","description":"","publisher":{"@id":"https:\/\/telemme.mmsh.fr\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/telemme.mmsh.fr\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"},{"@type":"Organization","@id":"https:\/\/telemme.mmsh.fr\/#organization","name":"TELEMMe","url":"https:\/\/telemme.mmsh.fr\/","logo":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/telemme.mmsh.fr\/#\/schema\/logo\/image\/","url":"https:\/\/telemme.mmsh.fr\/wp-content\/uploads\/2020\/03\/LogoTELEMMe-horizontal-fond-transparent.png","contentUrl":"https:\/\/telemme.mmsh.fr\/wp-content\/uploads\/2020\/03\/LogoTELEMMe-horizontal-fond-transparent.png","width":1500,"height":437,"caption":"TELEMMe"},"image":{"@id":"https:\/\/telemme.mmsh.fr\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/telemme.mmsh.fr\/#\/schema\/person\/86a185da4836381586528ced48e263f5","name":"Delphine Cavallo","url":"https:\/\/telemme.mmsh.fr\/?author=6"}]}},"_links":{"self":[{"href":"https:\/\/telemme.mmsh.fr\/index.php?rest_route=\/wp\/v2\/posts\/14009","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/telemme.mmsh.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/telemme.mmsh.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/telemme.mmsh.fr\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/telemme.mmsh.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14009"}],"version-history":[{"count":3,"href":"https:\/\/telemme.mmsh.fr\/index.php?rest_route=\/wp\/v2\/posts\/14009\/revisions"}],"predecessor-version":[{"id":14013,"href":"https:\/\/telemme.mmsh.fr\/index.php?rest_route=\/wp\/v2\/posts\/14009\/revisions\/14013"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/telemme.mmsh.fr\/index.php?rest_route=\/wp\/v2\/media\/14011"}],"wp:attachment":[{"href":"https:\/\/telemme.mmsh.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14009"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/telemme.mmsh.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14009"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/telemme.mmsh.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14009"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}