{"id":13738,"date":"2023-12-19T11:17:34","date_gmt":"2023-12-19T10:17:34","guid":{"rendered":"https:\/\/telemme.mmsh.fr\/?p=13738"},"modified":"2025-01-14T18:25:01","modified_gmt":"2025-01-14T17:25:01","slug":"art-et-industrie-leurope-des-musees-au-xixe-siecle","status":"publish","type":"post","link":"https:\/\/telemme.mmsh.fr\/?p=13738","title":{"rendered":"Art et industrie. L\u2019Europe des mus\u00e9es au XIXe si\u00e8cle"},"content":{"rendered":"\n
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Art et industrie : L\u2019Europe des mus\u00e9es au XIXe si\u00e8cle<\/strong><\/em><\/a>, Rossella Froissart, Aziza Gril-Mariotte<\/a> (dir.), \u00e9dition  Brepols, 2023, 234 pages<\/p><\/blockquote>\n

Cet ouvrage retrace l’histoire m\u00e9connue des mus\u00e9es d’art d\u00e9coratif en Europe au XIXe si\u00e8cle, \u00e0 une \u00e9poque o\u00f9 les vestiges d’un savoir-faire artisanal en voie de disparition, la culture mat\u00e9rielle et les arts populaires suscitent l’int\u00e9r\u00eat de collectionneurs, historiens et hommes d’Etat.<\/p>\n<\/div>\n\n\n\n

Pourquoi collecter et exposer textiles, verreries, c\u00e9ramiques, meubles ou bijoux, t\u00e9moins d\u2019un pass\u00e9 pr\u00e9industriel, au moment m\u00eame o\u00f9 l\u2019av\u00e8nement de la machine et l\u2019expansion des march\u00e9s bouleversent les processus de fabrication et de commercialisation? Suivant quelles modalit\u00e9s la pr\u00e9sentation de ces artefacts a t articule aux productions contemporaines, dans un contexte de concurrence internationale stimule par les expositions universelles ?
Pens\u00e9s au d\u00e9part comme des ensembles vocation p\u00e9dagogique, mais int\u00e9grant souvent des vises conservatrices, les muses d\u2019art industriel et d\u2019art d\u00e9coratif sont porteurs d\u2019identit\u00e9s multiples, ce qui explique l\u2019\u00e9volution des d\u00e9nominations, leurs vicissitudes et leur existence parfois \u00e9ph\u00e9m\u00e8re. Les travaux d\u00e9sormais nombreux sur la mus\u00e9ologie, et sur les arts d\u00e9coratifs placent ces institutions au c\u0153ur du questionnement autour de l\u2019origine et des finalit\u00e9s des collections publiques, en tant que lieux de formation pratique et de d\u00e9bats thoriques sur les relations entre l\u2019art, l\u2019industrie et le march\u00e9.
Cet ouvrage est le premier en France consacr\u00e9 \u00e0 l’histoire des muses d’art industriel et d\u00e9coratif. Il entend offrir un large panorama de cette typologie telle qu’elle s’est d\u00e9cline dans l’Europe enti\u00e8re, depuis son apparition dans les ann\u00e9es 1830, jusqu\u2019\u00e0 son puisement dans les premi\u00e8res d\u00e9cennies du XXe<\/sup> sicle. Seule une enqu\u00eate collective pouvait rendre compte des sp\u00e9cificit\u00e9s des situations nationales et de la diversit\u00e9 des processus de valorisation d\u2019objets au statut intrins\u00e8quement incertain, entre fonction d\u2019usage, valeur patrimoniale et mod\u00e8les d\u2019apprentissage.<\/p>\n\n\n\n

Table des mati\u00e8res<\/h3>\n\n\n\n

Introduction g\u00e9n\u00e9rale<\/em><\/strong><\/p>\n\n\n\n

1-Aziza Gril-Mariotte, Les enjeux du mus\u00e9e d\u2019art industriel entre th\u00e9ories et pratiques
<\/em><\/strong>2-Rossella Froissart, Pr\u00e9misses aux mus\u00e9es d\u2019arts industriels et d\u00e9coratifs : une id\u00e9e fran\u00e7aise<\/em><\/strong><\/p>\n\n\n\n

Premi\u00e8re partie
<\/em><\/strong>Un mus\u00e9e pour \u00e9difier le go\u00fbt et diffuser des mod\u00e8les<\/strong><\/p>\n\n\n\n

3-Jean-Fran\u00e7ois Luneau, Le r\u00eave d\u2019un mus\u00e9e industriel chez Claude Aim\u00e9 Chenavard
<\/em><\/strong>4-H\u00e9l\u00e8ne Bocard et C\u00e9line Trautmann-Waller, Alexander von Minutoli : de la collection au mus\u00e9e, du mus\u00e9e \u00e0 l\u2019album photographique
<\/em><\/strong>5-Marion Falaise, Le mus\u00e9e d\u2019Art et d\u2019Industrie de Lyon et le mod\u00e8le du South Kensington Museum dans le projet de Natalis Rondot
<\/em><\/strong>6-Isaline Del\u00e9derray-Oguey, Les mus\u00e9es d\u2019art industriel en Suisse et de la seconde r\u00e9forme des arts appliqu\u00e9s
<\/em><\/strong>7-Malgorzata Dabrowska, Les collections du Mus\u00e9e technique et industriel \u00e0 Cracovie, entre exposition et \u00e9ducation
<\/em><\/strong>8-Lada Hubatov\u00e1-Vackov\u00e1, Les mod\u00e8les londonien et viennois des deux mus\u00e9es de <\/em><\/strong>\u00ab um\u011bleck\u00fd pr\u016fmysl \u00bb de Prague
<\/em><\/strong>9-Daniela N. Prina, La cr\u00e9ation d\u2019un South Kensington belge ou l\u2019histoire d\u2019un mariage imparfait entre le beau et l\u2019utile
<\/em><\/strong>10-\u00c9lise K\u0153ring et Elke Mittmann, Un mus\u00e9e du temps pr\u00e9sent pour une production moderne : le <\/em><\/strong>Deutsches Museum f\u00fcr Kunst in Handel und Gewerbe de Karl-Ernst Osthaus
<\/em><\/strong>11-Mark Gregory d\u2019Apuzzo, Le Mus\u00e9e d\u2019art industriel Davia Bargellini de Bologne : cr\u00e9er des ensembles pour mieux transmettre les savoirs<\/em><\/strong><\/p>\n\n\n\n

Deuxi\u00e8me partie
<\/em><\/strong>De la collection au mus\u00e9e. Nouveaux regards sur les arts d\u00e9coratifs<\/strong><\/p>\n\n\n\n

12-\u00c9lodie Baillot, Le Louvre contre S\u00e8vres, S\u00e8vres contre les ogres du Louvre : l\u2019affaire du legs Davillier
<\/em><\/strong>13-Lucie Chopard, Les collections chinoises de l\u2019Union centrale des arts d\u00e9coratifs entre inspiration technique et valorisation esth\u00e9tique
<\/em><\/strong>14-Mathieu Caron, Le mus\u00e9e du Garde-Meuble (1879-1901) ou l\u2019aboutissement d’une politique de patrimonialisation du mobilier fran\u00e7ais au XIXe<\/sup> si\u00e8cle
<\/em><\/strong>15-Camille Mestdagh, Du chef-d\u2019\u0153uvre de mus\u00e9e au mod\u00e8le d\u2019atelier : les collections publiques de mobilier et la vogue des copies
<\/em><\/strong>16-Beno\u00eet Coutancier, Marie Labadi\u00e9 (Grobet) et ses \u00e9poux : <\/em><\/strong>collectionneurs \u00ab moyens \u00bb ou architectes d\u2019int\u00e9rieur autodidactes ?
<\/strong><\/em>17-Paola Cordera, Les arts d\u00e9coratifs mis en sc\u00e8ne \u00e0 l\u2019Exposition r\u00e9trospective de Milan de 1874
<\/em><\/strong>18-Daniele Galleni, La Galleria degli arazzi \u00e0 Florence : un nouveau regard sur la tapisserie
<\/em><\/strong>19-Nadia Barrella, Le mus\u00e9e Correale de Carlo Giovene, un \u00ab livre facile \u00bb pour red\u00e9couvrir les arts appliqu\u00e9s napolitains
<\/em><\/strong>20-Agnieszka Kluczewska-W\u00f3jcik, \u00ab Il n\u2019y a qu\u2019un seul art\u2026 \u00bb. <\/em>Feliks Jasie\u0144ski et sa collection d\u2019arts d\u00e9coratifs au Mus\u00e9e national de Cracovie
<\/em><\/strong>21-B\u00e9nedicte Gady, Paris-New York : la cr\u00e9ation du Cooper Union Museum for the Arts of Decoration au miroir du mus\u00e9e des Arts d\u00e9coratifs<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Art et industrie : L\u2019Europe des mus\u00e9es au XIXe si\u00e8cle, Rossella Froissart, Aziza Gril-Mariotte (dir.), \u00e9dition  Brepols, 2023, 234 pages Cet ouvrage retrace l’histoire m\u00e9connue des mus\u00e9es d’art d\u00e9coratif en… Lire la suite »Art et industrie. L\u2019Europe des mus\u00e9es au XIXe si\u00e8cle<\/span><\/a><\/p>\n","protected":false},"author":175,"featured_media":13739,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"off","neve_meta_content_width":70,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_tribe_events_control_status":"","_tribe_events_control_status_canceled_reason":"","_tribe_events_control_status_postponed_reason":"","_tribe_events_control_online":"","_tribe_events_control_online_url":"","footnotes":""},"categories":[1742],"tags":[],"class_list":["post-13738","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dir-ouvrage"],"yoast_head":"\nArt et industrie. 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